Sermon: Ki Teitzei 5786
Aug. 28th, 2026 05:37 pmJust to sneak in under the wire while it's still the right week for it, here is my 2000 word summary of a year of intense academic work.
Hey by the way!! I don't think I mentioned it here yet, but a month or two back, I finally notched that Mushihimesama (maniac mode) 1cc that I was working on! A pointless but incredibly satisfying achievement. 📺 I got a video of it up on YouTube if you're interested (you are not required to be interested).
Dealing with the gauntlet of stage 5 kind of unlocked a couple things in my brain, especially around routing bullet cancels. (Certain large enemies will erase all enemy bullets on death, and you often want to carefully time this to guarantee a safe recovery from a bunch of other enemies making the screen unlivable. This means you have to treat the scariest baddies as a precious resource, which is fascinating.)
Anyway, that's my first proper clear of a Cave title. I'm back to working on Ketsui, which I like better than Mushi but which I had put aside for a bit once I realized I was close to a Mushi clear if I focused.
Ketsui doesn't really have alternate modes or difficulties (unless you count the oddball arranged modes included in the M2 port), and it also doesn't have "rank" (dynamic difficulty, where the aggression scales depending on player actions) — it just presents the same impossible-looking wall to every player. But at the time I originally picked it up, I found that weirdly comforting — there was no question of whether I was "doing it right" or choosing the appropriate mode, you know? Pick your ship, approach your target, and attack.
For many years in my former job I was involved in the compilation of - actually at first it wasn't even a database, it was a paper-based reference guide - what became a database of information about a certain class of archives, and then once it became a database I was largely responsible for keeping the data updated at moderately regular intervals -
Oh yes, and because the public interface, which was hosted by Another Organisation, could only handle fairly basic searches, my workplace fielded requests for more complex interrogations. (Plus a stream of queries from people who had not found what they were looking for, because the information was not there: and there was no Sekkrit Hidden Information they could access by Asking An Archivist).
I realise that I had put intermittent time and effort into this project over nearly 40 years by the time I retired.
And then the whole thing got abandoned and a very very minimalist version was the only thing available, fume mutter.
There was a revival of interest just over a year ago, and lo and behold, it is being reanimated with a new digital interface.
I am gratified.
Further reason for gratification: renewal of my Fellowship.
Watched The Best Little Whorehouse in Texas and Muppet Treasure Island. I think Curry may have been born to play Long John Silver, more than any other role.
What I read
Two recent litfic type works that I saw reviews of around and that were Kobo promotions: Gwendoline Riley, The Palm House (2026) about which I was somewhat meh, and Alex Hyde, Exhibition (2026), which I liked rather more, I thought it was being slightly less that englamoured by posh person narrative than some of the reviews had hinted, though I am still a bit wondering how somebody based on 1990s Young British Artists was both part French and posh.
Then for a change read Doug Johnstone, A Dark Matter (The Skelfs, #1) as a) the latest episode in the series got a moderately positive write-up by Literary Review's crime reviewer, and an omnibus edition was on promo from Kobo. Not entirely sold, but one never knows with the first in a series how it is going to go: I thought this was a bit throwing in everything but the kitchen sink, possibly a bit too much going on? but might try another one.
And then at
coughingbear and
hano's Mah'v'l's Pahty I met Roz Kaveney and in the course of conversation fangirled about the Rhapsody of Blood series, and realised that I had doubtless missed a lot in the final volumes because of the lapse of time over which they were coming out (2012-2023) and decided to re-read the whole thing from the beginning, which I had not ever done. So have already read Rituals (Rhapsody of Blood, #1) (2012).
On the go
Roz Kaveney, Reflections (Rhapsody of Blood, #2) (2013).
Up next
Resurrections, Realities, and Revelations (Rhapsody of Blood, #3-5).
Also must read Dorothy Richardson, The Trap (Pilgrimage, #8) (1925) for online book group, also Cold Comfort Farm for in-person group.
***
It may be of interest to some of dr rdrz that Naomi Mitchison's The Conquered (1923) is now available via Project Gutenberg.
I've loved her music, songwriting, acting for most of my life.
The Dolly Parton's America podcast educated me about just how bold a pioneer she was.
Bit of a theme going on, maybe, given that there is a significant history of cars as phallic symbols....
Speeding for online glory: the internet subculture where young men drive dangerously for likes.
This is not like that thing that I vaguely recall from my youth - and it was a US thing at that - featured in movies and pop songs - hot rod/drag racing.
The fast-driving internet trend on TikTok, Instagram and YouTube is fed by footage shot from a driver’s perspective of cars going “#fullsend” – the jargon for roaring down dual carriageways – and “#gapping” or “#swimming”, as in weaving dangerously through packed traffic.
....
Several factors are behind this trend, experts say. Young men have long been sensation seekers with a tendency to push whatever limits adults impose, according to Sonia Livingstone, professor of social psychology at the London School of Economics and an expert in social media harms.
Social media now extends the momentary thrill of speed with the promise of clout and glory as the drivers’ exploits spread through the internet. It is a case, Livingstone said, of “putting their foot down in the offline world knowing it wins them points in the online world”. If views rise high enough, there is also the prospect of cash rewards from some of the social media companies.
(There seems to have been maybe more going on than just sensation-seeking internet trend in the incident precipitating the think-piece: Five more arrested over crash that killed seven people including two police officers, in which organised crime appears to have been a factor.)
This article is about the startling lung-health benefits of ULEZ: but I have to wonder what the impact of lower speed limits/encouragement of cycling etc in London has been on rates of traffic accidents.
Worked late tonight as part of a production rotation for deployment emergencies. There was one, but I addressed it early, then spent most of the night waiting for other teams to deal with things.
Spent some time reading Peter Brook's The Empty Space. I thought I'd read it before, but I think I'd only read the chapter "The Holy Theatre" as an excerpt before. I'm trying to season the polemics with the appropriate salt, but it's still fun to read about "The Deadly Theatre." I find it amusing, over half a century later to apply the descriptions of Deadly Theatre to cinema in the age of the dying blockbuster: "There are occasional new movements, good new writers and so on, but as a whole, the theatre not only fails to elevate or instruct, it hardly even entertains." That certainly addresses how I feel about the Marvel output. But at the same time, the wide applicability counts against the argument. The Deadly is not theatrical, but aesthetically universal.
Haven't gotten deep into "The Immediate Theatre," but already I have taken a hit.
The actor who believes he may one day play Hamlet has endless energy: the one who sees that the outside world is not convinced he will ever play a lead is already tying himself into painful knots of introspection with a consequent need for self-assertion.
I am a bit irked that this article Driven by porn, social media and an obsession with looksmaxxing, more and more men are suffering from small-penis panic, leading them to extreme cosmetic procedures. Is the risk ever worth it? in yesterday's Observer is paywalled online.
On the other hand.... was it that good an article anyway.
Is this, historian asks, A New Thing? (Hardly.) (No, they did not talk to historians, though they did cite the thing about The Classical Greeks thought Small Was Beautiful.)
I suspect anthropologists would mutter that koro is Not The Same Thing, however dramatic a lead-in that is.
Anyway, somewhat buried in the text of the article it was pointed out that in the vast majority of cases, these men are Within The Normal Range, and their belief that their manhood is small and inferior is possibly something they should take up with a therapist, rather than spending $$$$ on dodgy and dangerous operations to willy-maxx.
Which we rather doubt contribute to anyone's pleasure?
Was reminded of TV doco I saw years ago (well years ago, pre-Viagra) about men seeking remedies for erectile problems, including injecting with papaverine (???) resulting in prolonged and painful erection, and implanting prosthetics. None of which sounded, well, enjoyable.
Set continued to fall apart, this time it was my fault.
When I checked my food props at the top of the show, I noticed some of the food had gotten knocked over, so I alerted the SM. When the SM went to reset the food, managed to strike them most of them. So when I was trying to manage some extra business, I hit a fake vent harder than usual. It came completely detached onto some folks. We went on, but the show was a bit off kilter after that.
Going to go get some food with Psyche and have a quiet evening.